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Their judgment, together with that of the Chaldeans, as to the length of what is now known as the cycle of years of the planets, has been handed down to us from the most remote ages, and also by our modern appliances has been proved correct, so when one comes to a study such as this, as to the value of the numbers, 1 to 9, which, as the seven harmonies of music are the bases of all music that has ever been conceived, these above-stated numbers are the basis of all our numbers and calculations, it is then only logical to accept the decisions of those great students of long past ages and at least examine their deductions with a mind free from bias and prejudice.
It is impossible in a book of this size to give in detail all the reasoning and examples that exist for a belief in the occult side of numbers, but it may interest my readers if I give a few illustrations of why the number 7 has for ages been regarded as the number of mystery relating to the spiritual side of things, and why the number 9 has in its turn come to be regarded as the finality or end of the series on which all our materialistic calculations are built, but the most casual observer can only admit that beyond the number 9 all ordinary numbers become but a mere repetition of the first 9. A simple illustration of this will readily suffice. The number 10 as the zero is not a number, becomes a repetition of the number 1. The number 11 added together as the ancient occultists laid down in their law of natural addition, namely, adding together from left to right, repeats the numbers 2, 12 repeats 3, 13 repeats 4 and so on up to 19 which in its turn becomes 1 plus 9 equals 10, and so again the repetition of 1. 20 represents 2, and so on to infinity. The occult symbolism of what are called compound numbers, that is, those numbers from 10 onwards, I will explain later.
In this way it will be seen that in all our materialistic systems of numbers, the numbers 1 to 9 are the base on which we are compelled to build, just as in the same way the seven great or primary harmonies in music are the bases of all music, and again as the seven primary colours are the bases of all our combinations of colours. In passing, it may be remarked that all through the Bible and other sacred books, the seven whenever mentioned, always stands in relation to the spiritual or mysterious God force, and has a curious significance in this sense whenever employed.
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