Isolated Tg Comic 15
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The scope of the collection included comic-related scores that catalogers were able to identify as having a relationship to comics, but also included scores of all genres that could be considered comic-related.
The music catalogers at the library were excited to participate in the project, as they had created a preliminary subject heading template for comic-related scores. This template was used as a starting point to create a new subject heading for the score collection. The template allowed them to focus their effort on creating the subject heading to ensure they were able to represent the full scope of the score collection.
Collection development includes many forms of metadata that increase accessibility for students. One challenge that data collection posed for the score collection was the absence of subject headings in the catalog that effectively defined the broad subject area of comic-related scores. Without a clearer way to define this broad topic area in the catalog, the collection was unable to be included in the Central Texas Library System, the main source of bibliographic data for the University.
Some libraries are taking a look at their collection and making a few changes. Charlotte Free Library, in North Carolina, has put cut and paste into the collection, a practice that had been in place for the past 15 years.
The process of discussing the work was collaborative and supportive. It was time for us to see each other's work. It was time for us to work together to make the body of the comics collective, the community that we were building. Pretty Boys was part of our methodology. The body of the collective knew better than the individual writer what was essential for the comic to become something good.
The comics that I have been discussing above are not just narratives. They are also objects. They tell stories in an ostensive way, they give us a visual image. They are, thus, part of the dynamic of the body's articulation with technology, from which they are made. While working on the first issue of Pretty Boys, Omocat made a stuffed animal out of his own head, and drew all the fur on it. The stuffed animal can function as a kind of a proxy for the autobiographical self. It is imaginary, but it is a part of my bodily experience of the body's articulation with technology.
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